The fantasy is the second of three by this composer, in the rather unusual key of D major and requiring two basses instead of the more usual tenor and bass for the two lowest voices. The two pavans a6 are extremely beautiful.


The fantasy is the second of three by this composer, in the rather unusual key of D major and requiring two basses instead of the more usual tenor and bass for the two lowest voices. The two pavans a6 are extremely beautiful.